He received a number of scholarships through the Chinese government and went on to receive a traditional Chinese education in Hangzhou.
He wrote traditional poems gushiessays, fiction, editorials, political analysis, and literary criticism. Although his traditional poems were highly praised by Lu Xun and other critics as the finest of those of his contemporaries, it was his fiction that established a national reputation.
He also gained recognition as one of the founding members of the influential Creation Society.
Yu Dafu became famous in (while still in Japan) after the publication of Chénlún 沉淪, known in English as Sinking. Sinking was published in the Creation Society's newsletter (创造季刊) and instantly pushed his society and him into fame. RongPing Zhang September 5, Summary for Sinking By: Yu Dafu The protagonist of the story is a young man from China that is forced by his older brother to study medicine in Japan. He is majorly depressed with low self-esteem, which links with China’s condition in that particular time period%(3). Scribd is the world's largest social reading and publishing site/5(3).
The protagonist is a young Chinese student sent by his family to pursue a college education in Japan, an alien country where he constantly feels humiliation and hostility Yu dafu sinking of his nationality. Living in tormenting loneliness and feeling the pressure of sexual desire, he has involuntarily segregated himself from his Chinese friends and indulges in sexual fantasies and masturbation.
Although his earlier education upheld a strong sense of ethics and moral purity, he is too weak to resist sexual temptations and is caught in a perpetual and losing battle against haunting erotic desires and sinful voyeurism.
While walking along a path in the countryside one morning, he accidentally overhears bewitching talk between a Japanese man and woman who are making love behind the bushes. Aroused by his fantasies of the scene, that afternoon he gets on a trolley and then transfers to a ferry without knowing his destination.
Going ashore, he suddenly finds himself pacing in front of a brothel, and in a trance he walks in and spends an evening there. That night, driven by unbearable shame and sinfulness, he walks into the sea and drowns himself. Like many of Yu Dafu's later stories, "Sinking" adopts the approach of an autobiographical confession.
The basic tone is one of persistent self-condemnation, and the protagonist's experiences often reveal conspicuous similarities with the author's own life.
Yu Dafu's use of this approach stems from his belief in the concept of "literature reflecting life" and from the influence in China of the European decadents and romantics. He once stated that "all literary works are the autobiographies of the writers. The plot of "Sinking" shows neither the pattern of rising climax and descending action nor the formula of conflict and resolution normally found in fiction.
The story is told by a third-person narrator who is omnipresent and omniscient, always ready to disclose every single thought or feeling of the protagonist. The exposure starts from the first line, which tells of the protagonist's painful solitude.
Every action contributes to the portrayal of the protagonist's character: At one moment he is so touched by the beauty of nature—a gentle breeze, a quivering blade of grass, or a fragrant and delicate flower—that he sheds tears and soothes himself in fantasy, seeing Cupid-like angels dancing and soaring around him.
When he is desperately seized by melancholy, he grumbles to himself and feels grudges against his Japanese classmates. He is sometimes overwhelmed with hypochondria and with a megalomania mixed with patriotism.
The use of the third-person point of view is successful on two counts: Psychological tension is created by combining the third-person point of view with the forthright self-exposure of the protagonist.Yu Dafu became famous in (while still in Japan) after the publication of Chénlún 沉淪, known in English as Sinking.
Sinking was published in the Creation Society's newsletter (创造季刊) and instantly pushed his society and him into fame. Yu Dafu: 'Sinking' Commentary Yu Dafu's 'Sinking' was one of the most prominent pieces among the literary canon of the May Fourth Movement, as it gives an interesting portrayal of the Chinese diaspora following the nation's occupation by foreign powers.
|Yu Dafu Sinking | Free Essays - urbanagricultureinitiative.com||He wrote traditional poems gushiessays, fiction, editorials, political analysis, and literary criticism. Although his traditional poems were highly praised by Lu Xun and other critics as the finest of those of his contemporaries, it was his fiction that established a national reputation.|
|Yu Dafu | urbanagricultureinitiative.com||Fuyang, Zhejiang Province, 7 December Studied at Jiaxing Secondary School and an American missionary school, Tokyo, ; studied political economics at Imperial University, Tokyo,|
Yu Dafu (December 7, – September 17, ) was a modern Chinese short story writer and urbanagricultureinitiative.com died in Japanese-occupied Dutch East Indies, likely urbanagricultureinitiative.comtion: Writer and poet.
SINKING (Chenlun) by Yu Dafu, Yu Dafu was one of the most versatile and prolific writers of the period of the May Fourth Movement. He wrote traditional poems (gushi), essays, fiction, editorials, political analysis, and literary criticism. Yu Dafu (simplified Chinese: 郁达夫; traditional Chinese: 郁達夫; pinyin: Yù Dáfū; Wade–Giles: Yu Ta-fu) (December 7, – September 17, ).
Born in Fuyang, Zhejiang province, was a modern Chinese short story writer and poet/5. This particular short story reminded me of Holden Caulfield in "Catcher in the Rye".
The main character in "Sinking" is very much alike Holden in that they both struggled with isolation and desolation despite being amidst the presence of their peers in school/5.