Be slow in choosing a friend slower in changing essay writer

It is the unofficial handbook and bible of the Slow Movement. But faster is not always better. Being Slow means doing everything at the correct speed: Slow means being present, living each moment fully, putting quality before quantity in everything from work and sex to food and parenting.

Be slow in choosing a friend slower in changing essay writer

Subscribe to our FREE email newsletter and download free character development worksheets! Courtney Carpenter April 24, Pacing is a crucial component of fiction writing. In this excerpt written by Jessica Page Morrell, she explains what pacing is and seven ways to keep your story moving at the right pace.

What is Pacing in Fiction? Pacing is a tool that controls the speed and rhythm at which a story is told and the readers are pulled through the events.

It refers to how fast or slow events in a piece unfold and how much time elapses in a scene or story. Pacing can also be used to show characters aging and the effects of time on story events.

Pacing differs with the specific needs of a story.

be slow in choosing a friend slower in changing essay writer

A far-reaching epic will often be told at a leisurely pace, though it will speed up from time to time during the most intense events. A short story or adventure novel might quickly jump into action and deliver drama.

Pacing is part structural choices and part word choices, and uses a variety of devices to control how fast the story unfolds. When driving a manual transmission car, you choose the most effective gear needed for driving uphill, maneuvering city streets, or cruising down a freeway.

Similarly, when pacing your story, you need to choose the devices that move each scene along at the right speed. There are lots of tools to hasten your story.

What is slow living?

Some are better suited for micropacing—that is, line by line—and some are better suited for macropacing—pacing the story as a whole. Action scenes contain few distractions, little description, and limited transitions.

Omit or limit character thoughts, especially in the midst of danger or crisis, since during a crisis people focus solely on survival. To create poignancy, forgo long, descriptive passages and choose a few details that serve as emotionally charged props instead.

When the outcome of a scene or chapter is left hanging, the pace naturally picks up because the reader will turn the page to find out what happens next.

Readers both love and hate uncertainty, and your job is to deliver plenty of unfinished actions, unfilled needs, and interruptions. Rapid-fire dialogue with little or no extraneous information is swift and captivating, and will invigorate any scene.

The best dialogue for velocity is pared down, an abbreviated copy of real-life conversation that snaps and crackles with tension.


It is more like the volleying of Ping-Pong or tennis than a long-winded discussion. Reactions, descriptions, and attributions are minimal. Instead, allow them to argue, confront, or engage in a power struggle.

Suspense and, by extension, forward movement are created when you prolong outcomes. While it may seem that prolonging an event would slow down a story, this technique actually increases the speed, because the reader wants to know if your character is rescued from the mountainside, if the vaccine will arrive before the outbreak decimates the village, or if the detective will solve the case before the killer strikes again.

Also called a jump cut, a scene cut moves the story to a new location and assumes the reader can follow without an explanation of the location change.

Another means of speeding up your story is to create events that happen immediately one after another. Such events are presented with minimal or no transitions, leaping via scene cuts from scene to scene and place to place. Short segments are easily digested and end quickly.

Since they portray a complete action, the reader passes through them quickly, as opposed to being bogged down by complex actions and descriptions.

Instead of a play-by-play approach, tell readers what has already happened. Because scenes are immediate and sensory, they require many words to depict. Summary is a way of trimming your word count and reserving scenes for the major events.Facebook Twitter research paper assistance nj common app short essay length for graduate mairie la prenessaye mccarthyism the crucible compare essays.

Police brutality essay argumentative essays on stress in college poetry research paper notes the iliad essay up essay on mobile phone quotes a push articles of confederation dbq essay essay . Pacing your story correctly is an essential skill to get right.

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Too slow and the reader will get bored; too fast and they'll feel unpleasantly rushed and unable to get into the story. Be slow in choosing a friend, but slower in changing him. - Proverb quotes on Quotations Book. Nov 25,  · Be slow in choosing a friend slower in changing essay help Dame josephine barnes essay writer the canadian flag debate essay dissertation length of conclusion meaning anti essay thanksgiving the frivolity of evil essay war and terrorism today essay about robots essays n essayed short essay about coeducational.

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be slow in choosing a friend slower in changing essay writer

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Pacing Your Story - Fiction Writer's Mentor